Question

“Gender, Race, and” this concept subtitle Meg Armstrong’s essay “The Effects of Blackness,” which describes how an earlier philosopher illustrated it with the example of a white man meeting a Black woman. Elaine Sisman argued that Mozart’s Jupiter symphony evokes a type of this concept using the (15[1])“learned style.” This concept (15[1])produces an “ontological dislocation” that makes us feel the differend, according to a book (15[1])in which Lyotard close-reads Kant. The first volume of The World (15[1])as Will and Representation lists (*) “light reflected off stones” as (10[1])the lowest of five (10[1])types of this concept. (10[1])The earliest known treatise on this concept quotes Sappho 31 and is attributed (10[1])to (10[1])Longinus. (10[2])Friedrich’s (10[1])Wanderer (10[1])Above the Sea of Fog is often (10[1])used to illustrate how the power of nature can create this terrifying experience. For 10 points, Edmund Burke contrasted beauty with what awe-inspiring concept? ■END■

ANSWER: the sublime [accept “‘The Effects of Blackness’: Gender, Race, and the Sublime in Aesthetic Theories of Burke and Kant”; accept mathematical sublime; accept On the Sublime or Perì Hýpsous or De sublimitate] (The unnamed philosopher in the first clue is Edmund Burke.)
<JC, Philosophy (Any/Other)>
= Average correct buzz position